Scott Zuniga is an emerging songwriter who has just released his first demo recordings—a small set of impressive, mature indie/folk compositions. But Scott has been involved with music internationally for years as a director and producer, among other roles. We were lucky to catch this talented neophyte to learn about his runaway successful kickstarter campaign for the new album, how the Loch Ness monster helped him come back from a difficult period, what it’s like to direct a music video for an Arabic rap star, and how having a Scottish mom can influence your dreams.
Deep in the heart of Texas is a town known for live music, cowboys, and the blues. When I think of Austin, Texas, I really don’t think of pop music… until now. Allow me to introduce you to Tristyn Elizabeth. After a couple of years of paying her dues as a singer-songwriter at many of the open mic events in Austin, she has emerged from the studio with her first real studio effort, an EP entitled Kiss Me in the Rain. Like a butterfly emerging from a cocoon, she has used her time in the studio to transform herself from a singer-songwriter into a more polished pop artist, without abandoning her roots. I actually know Tristyn, after being in her ward for a couple of years in Georgia. I recently connected with 21-year-old Tristyn to hear her story about her development as an artist.
How did you get started in music?
My dad is a songwriter/producer type as well and he’d always be writing or playing or talking music all the time. That was a huge influence all my life. I remember when Britney Spears and N’sync and Backstreet boys were huge, I’d blast it in the living room and sing and dance to it with my siblings and imagine growing up to be a singer. I started writing sometime in high school. It started when I would listen to songs on the radio and it didn’t fit how I felt. There wasn’t a song I could sing from my soul I guess, I was in high school and I was dramatic. So I started writing music on my guitar. All the songs I wrote were kinda bad and embarrassing. Over time they got better with re-writes and new life experiences. I wrote better ones when I went off to college. Also, when I was in high school my dad would need vocals for various projects and songs and I’d record on those. That’s basically where it started. Continue reading “Interview – Tristyn Elizabeth, a rising star in Austin”