Colby Miller is an enigmatic new face here at Linescratchers. He composes and records quiet, yet textured acoustic music around his home in San Bernadino, California, yet, despite the seemingly humble context of his origins, his music is startlingly ambitious, and will most definitely tickle the ears of music lovers who think they’ve heard it all. He has released one EP called When I Should Be Sleeping earlier this year, but readers will most likely be especially intrigued by his most recent project. He has released a pair of albums in the last day or two: an EP called Epimetheus, and a full-length album called Prometheus, based on the ancient Greek mythology surrounding the two sons of Iapetus. Like I said, it’s ambitious stuff. Colby has agreed to do an interview with us about his two albums, about the role of mythology and storytelling in our lives and faith, and his unique approach to songwriting. Continue reading “Colby Miller”
What’s going on? Click HERE for an explanation and part I, here for part 3, and here for part 4. I should mention that the title of this series come from this delightful sketch on Conan. ❤ Conan. Continue reading “Mormons Mormons Mormons, We Haven’t Got a Clue: Guide to LDS references in Non-LDS Music, Part II”
MERRY CHRISTMAS, you Linescratchers you!
Mormonism doesn’t show up in pop music lyrics all that often. Now that Sufjan Steven’s 50 states project is probably not happening and Kolob Records hasn’t had a hit since 1976 (more on them in a future entry), we don’t have much reason to hope for a serious uptick in LDS references on our radios in the near future (though there is reason to believe that Sufjan’s Utah entry would have been a doozy.)
If you’re tired of not hearing about Mormons in your music, and you’re also not listening to strictly devotional pop, you’ve been pretty much out of luck. Until now. Presenting: Mormons Mormons Mormons, We Haven’t Got a Clue aka Your guide to LDS references in Non-LDS Music, Part I. Continue reading “Mormons Mormons Mormons, We Haven’t Got a Clue: Guide to LDS references in Non-LDS music, Part I”
Welcome to the nominations for the 2010 Linescratchers Popular Award. This is where you can nominate your favorite musician who released an album sometime in 2010. The nominations will be open till the beginning of January. Popular voting to determine the winner will occur in January. Use the comments section to make your nominations (I’ll man the spam filter to make sure everyone’s nominations get through).
Rules (PLEASE READ):
1. Artists must currently (as of this year) self-identify as LDS. If it is not well-known that your artist is LDS, please provide a link showing that your artist is indeed LDS. This contest isn’t for closeted Mormons. If artists contact me and ask to be taken off the list for any reason, they will quietly disappear from the list.
2. If it is a band, at least one member of the band must self-identify as LDS. Again, please provide a link.
3. Artists must have released a full-length album (EPs or singles are not sufficient) between Jan. 1st, 2010, and Dec. 31st, 2010. Please provide the name of the album and if possible a link.
4. There is no worthiness or activity requirement for nominations.
5. Linescratchers is for “LDS musicians who don’t write LDS music.” Keep that in mind when you make your nominations. Deseret Book and other faith-based organizations can and do have their own awards.
6. You may nominate as many artists as you wish, as long as they satisfy the conditions of the award.
7. You may nominate both Linescratchers featured artists, and non-featured artists.
If you have any questions or want clarification about any artist, please email me at linescratchers(at)gmail.com.
I first heard “Only The Young” from Brandon Flowers’ new solo album last week, and I was completely entranced. It had such a relaxing, Annie Lennox-ish rolling pop vibe and the video was beautiful and flowing. In the following days I have seen several conversations arise in some Mormon circles (including our new friends at This Week in Mormons) over whether or not the video contained “Mormon imagery.”
I bought the album on my way to class (despite being late) at a local CD shop near campus, and gave it a listen that afternoon. I was floored. The music was indeed good, but the most striking thing to me was the fact that the album is a long tale of redemptive explicit spirituality, and it was obviously intended to be interpreted so. Leave it to Mormons to overlook an entirely and intentionally spiritual album, straining over whether an image of Brandon Flowers in a pool of light has something to do with Joseph Smith.
Yet it’s a pretty well-accepted fact that, once you explain a joke, it completely destroys the chance that joke had at ever being funny. Likewise, I think that the spiritual tale contained in Flamingo really works best without extracting and exposing it, because I’m not sure it would stand as well on its own. However, being that I’m the creator and owner of the only website online devoted to promoting Mormons in the world of music, I guess that means I should at least share my thoughts. I’m happy to oblige. Rather than destructively over-analyzing his lyrics, I’ll just post excerpts (as well as I can hear them) and let you figure it out.
Flamingo is a loose tribute to Western Americana, a cautionary tale of the wonders and pitfalls of Las Vegas, and a curious insight into the spiritual battles happening there and in Brandon Flowers’ mind. It’s an ambitious conglomerate of ideas, for sure, and Flowers may not have quite reached his lofty goal, but he actually said more in trying than I really would have expected. I never did listen to The Killers too much (they really peaked when I was on my mission and I never got caught up), so I can’t provide a meaningful comparison to that, but Brandon Flowers has proven himself to be a far more spiritual being than I knowingly gave him credit for. Continue reading “Brandon Flowers – Flamingo review”
Linescratchers welcomes Joseph Mecham, web designer, guitarist, singer and songwriter to the fold. Joseph has been working on graphic design behind the scenes at Linescratchers but this is his first published interview. – Syphax
I can’t express in words how excited I was to interview Preston Pugmire, so I’ll just do some hardcore punch-dancing while watching Footloose, that should suffice. Bring it on Kevin Bacon… Anyway, I’ve known Preston Pugmire for a number of years now. We used to be comrades in the Rexburg Idaho music scene. (Which was jaw-dropping incredible for a town of 30,000). Preston actually sang guest vocals on a past recording of mine. He’s an incredibly outgoing guy and his music career is only going to escalate until he has claimed title of Grand Emperor of Pop (since King of Pop and Prince of Pop have been claimed by Micheal Jackson and Justin Timberlake, respectively). Bottom line… make sure to keep an eye on Preston Pugmire.